Ardashir vakil biography

Sanga ed. Greenwood Press. English Language and Literature Commons. To view the content in your browser, please download Adobe Reader or, alternately, you may Download the file to your hard drive. Advanced Search. Michelle Burnham. Marilyn Edelstein. Privacy Copyright. Authors John C. Born in Mumbai in to a Parsi family, he was educated in the prestigious Doon School in Dehradun before moving on to study English at Cambridge University.

Ardashir vakil biography: Ardashir Vakil was born in Bombay;

He then took up a teaching degree and began teaching English at several schools in London. At that time, he was a member of a writing group that shared their work with one another and, inthey decided to compile an anthology of their writings. And I replied, as modestly as I could, that some would say they were the lucky ones to have me!

The reason for his self-assuredness, however, is knowing what it takes to become a successful novelist.

Ardashir vakil biography: Vakil lived in Bombay for the

This is further enhanced by his current job teaching creative writing at Goldsmiths, University of London. He emphasises, however, that one does not become a successful author based on writing talent alone. When you make it as a writer, it brings you only a pinprick of fame, but behind it is all the perspiration and hard work you put in. He explains that many people have romantic notions on how authors write, imagining that they sit in idyllic spots and are inspired to pour out words.

Everybody who would like to write, can write something. Food, sex, and cinema become metaphors for all sorts of hungers in the life ofa precocious young man, as when he sits in a theater, wa iting for a film to begin: "Hours spent waiti ng for what yo u want, occupying yo urself with activities that amo unted to no more than a fraction of a millimeter added to the surface of a sphere I understood the meaning of time passing, of time wasted, of being left behind by time" It has since been translated into eight languages, including Japanese and Greek.

Ardashir vakil biography: Ardashir "Ardu" Vakil is an

In his appreciative lengthy review in the New Yorker, John Updike notes that the novel offers the reader "an India remembe red, a land, like Nabokov's Russia, g listening with the dew of early impressions and ominous with the dimly seen, uncontrollable machinations of adults" l Paul Kafka praises the book for " painting the city of Bombay in the early '70s, with its street dwe llers and movie stars, its colonial hangers-on and hungry immigrants, its food stalls and littered beaches, its many movie houses and giant middle-class apartment complexes" F2.

Melanie Hai ken also notes the visceral quality of Vakil 's descriptions; he understands, she writes, the "supreme power" of "sense-memory," and uses it to sketch "one of the most vivid portraits of Indi a yet to appear in print. Sarah Curtis, writing in the Times Literary Supplement, remarks on "the enormous amount of information and commentary about ardashir vakils biography of Indian life" that Vakil offers, and praises the book for its "telling insights into the characteristics of the different communities which make up the modem Indian middle class.

Haiken disagrees here, suggesting that India itself might more reasonably be seen as the real protagonist: "few recent works oflndian fiction," she writes, "have taken the reader into the betel-strewn theater aisles, glass-walled living rooms and smoky kitchens of contemporary India with so much immediacy and so little sentimentality.

As Vikram Chandra notes, for example, when the two of them were giving a reading at the British Counci l in New Delhi the question session focused initially on the right of such authors to be the voice oflndia for the West. Was that an emigrant's nostalgia, or was it written for the Westerners who don't know what bhelpuri is? It doesn't seem to be able to create that sort of excitement for its own writers- its own writers who are doing well in India, in their own regional languages.

I must believe in whatever I am doing. That seems to me to be the most basic rule of integrity that the writer should follow. London: Hamish Hamilton, Studies of Ardashir Vakil Anand, Beena. Chandra, Vikram. Curtis, Sarah. Tim es Literary Supplement May 30, : Haiken, Melanie. Kafka, Paul. Seaman, Donna. Review of Beach Boy. Booklist July : Biblio: A Review of Books 2.

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