Quien fue wassily kandinsky biography

Las ilustraciones de John Varley en Formas del pensamiento lo influyeron visualmente. Este trabajo demuestra la influencia del puntillismo en la forma en que se pierde la profundidad de campo en una superficie plana y luminiscente. Los colores se utilizan para expresar la experiencia de Kandinski con la materia, no para describir la naturaleza objetiva.

La capa del jinete es azul medio y la sombra proyectada es de color azul oscuro. Las caras, ropa y sillas de montar de los jinetes son cada una de un solo color y ni ellos ni las figuras caminando muestran cualquier detalle real. Estas ideas tuvieron un impacto internacional casi inmediato, particularmente en el mundo angloparlante. Estas obras se exhibieron en Leedsya sea en la universidad o en las instalaciones del Leeds Arts Club, entre y EnKandinski fue invitado a ir a Alemaniapara asistir a la Bauhaus de Weimar, por su fundador el arquitecto Walter Gropius.

Debido a la hostilidad de la derecha y a la izquierda de la Bauhaus de Weimar, se establecieron en Dessau en Kandinski utiliza composiciones originales en color, que evocan el arte popular eslavo. Las propiedades obvias que podemos ver cuando miramos un color aislado y se le deja actuar solo, por un lado, son la calidez o frialdad del tono de color y, por el otro, la claridad u oscuridad de ese tono.

El azul es un color celeste, que evoca una profunda calma. La claridad es una tendencia hacia el blanco, y la oscuridad es una tendencia hacia el negro. El blanco es un silencio profundo, absoluto, lleno de posibilidades. El negro es la nada sin posibilidad, un silencio eterno sin esperanza, y se corresponde con la muerte. La mezcla de blanco con negro da gris, que no posee ninguna fuerza activa y cuya tonalidad es cercana a la de verde.

El ojo humano puede relacionar todo tipo de vivencias y sentimientos por medio de los colores y las formas. Aparecido en The artist was fascinated by the combination of colors and the understanding that that was actually his work, standing upside down, came to him as a surprise. Thus began the period of abstract art, and Kandinsky became its discoverer.

He went on a bureaucratic path, at the same time related to art: he was a member of the art board of the Fine Arts department of the People's Commissariat for Education, chairman of the Russian Procurement Commission, a scientific consultant and the quien fue wassily kandinsky biography of the reproduction workshop. Kandinsky painted much less at that time — only 18 works in three revolutionary years.

Inhe met his future wife. Student Nina Andreevskaya called him at the request of her friends, and after a telephone conversation with her, he realized that he had fallen in love. At the time of their meeting she was 17 years old, he was Inthey got married, in the same year they had a son, Vsevolod. Ina disaster happened. Lodya, as his parents affectionately called him, died of gastroenteritis.

After that tragedy, the topic of children for the spouses was closed. InKandinsky and his wife left Russia once and for all. He went to Germany - supposedly to establish cultural ties. But in reality, the artist understood that he did not fit into the new post-revolutionary era. In Germany, he was waiting for work at the Bauhaus College in Weimar.

It was a unique educational institution, where professors taught architecture and design in modern language. Lodya died in June and there were no more children. After the Russian Revolution, he had opportunities in Germany, to which he returned in He then moved to France with his wife, where he lived for the rest of his life, becoming a French citizen in and producing some of his most prominent art.

The painting had been on loan to the Kunstmuseum Winterthur in Switzerland since and was sold to a European collector by the Volkart Foundation, the charitable arm of the Swiss commodities trading firm Volkart Brothers. Guggenheim originally purchased the painting directly from the artist inbut it was not exhibited after ; it was then sold at auction to a private collector in by the Solomon R.

Guggenheim Museum. Inthe Lewenstein family filed a claim for the restitution of Kandinsky's Painting with Houses held by the Stedelijk Museum. Later that year, a court in Amsterdam ruled that the Stedelijk Museum could retain the painting from the Jewish Lewenstein collection despite the Nazi theft. Note: Several sections of this article have been translated from its French version: Theoretical writings on artThe Bauhaus and The great synthesis artistic periods.

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For complete detailed references in French, see the original version at fr:Vassily Kandinsky. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikiquote Wikidata item. Russian painter and art theorist — For other uses, see Kandinsky disambiguation.

In this name that follows Eastern Slavic naming customsthe patronymic is Wassilyevich and the family name is Kandinsky. Kandinsky by Adolf Elnain, c. Moscow, Russian Empire. Neuilly-sur-SeineFrance. Anja Chimiakina. Nina Nikolaevna Andreevskaya. Early life [ edit ]. Artistic periods [ edit ]. Metamorphosis [ edit ]. Akhtyrka, LenbachhausKunstarealm, Munich.

Couple on Horseback—07, LenbachhausMunich. Blue Mountain—09, Solomon R. Guggenheim MuseumNew York. Blue Rider Period — [ edit ]. See also: Der Blaue Reiter. The Cow, LenbachhausMunich. Landscape with Red Spots, No 2 Composition 6 Return to Russia — [ edit ]. Back in Germany and the Bauhaus — [ edit ]. Several Circles, Solomon R. Guggenheim MuseumNew York City.

Inner Alliance, AlbertinaVienna. Great Synthesis — [ edit ]. Various Actions, Solomon R. Kandinsky's conception of art [ edit ]. Main article: List of paintings by Wassily Kandinsky. The artist as prophet [ edit ]. Artistic and spiritual theorist [ edit ]. Signature style [ edit ]. Theoretical writings on art [ edit ]. Personal life [ edit ].

Art market [ edit ]. Nazi-looted art [ edit ]. See also [ edit ]. Notes [ edit ]. References [ edit ]. Citations [ edit ]. Kandinsky: Complete Writings on Art. New York: Da Capo Press.

Quien fue wassily kandinsky biography: This Wassily Kandinsky biography video is

ISBN New York: Da Capo Press, Books and Writers kirjasto. Finland: Kuusankoski Public Library. Archived from the original on 26 February Wassily Kandinsky — a Revolution in Painting. Retrieved 4 June Concerning the Spiritual in Art. He believed that each color possessed its own unique resonance and could evoke specific emotions and spiritual states in the viewer.

In Concerning the Spiritual in Art, he wrote, "Color is a power which directly influences the soul. Wassily Kandinsky's role as a teacher at the Bauhaus school in Germany from to had a profound impact on the development of abstract art and the school's curriculum. The Bauhaus, founded by Walter Gropius inwas a revolutionary school that sought to unify art, craft, and technology, and to create a new approach to art education.

Kandinsky was appointed as a professor at the Bauhaus inquien fue wassily kandinsky biography he taught the Basic Design course and the Advanced Theory of Design. His teaching philosophy was based on the idea that art should be a spiritual experience, and that the artist's role was to express their inner emotions through color and form. Kandinsky believed that the study of color and form was essential to the development of abstract art, and he encouraged his students to experiment with these elements in their work.

One of Kandinsky's most significant contributions to the Bauhaus curriculum was his book Point and Line to Plane, published in In this book, Kandinsky explored the relationship between geometric shapes and their emotional impact on the viewer. He argued that the circle was the most peaceful shape, representing the human soul, while the square represented the material world.

These ideas had a profound influence on the development of abstract art and design at the Bauhaus and beyond. Kandinsky's teaching methods were highly influential, and he attracted a number of notable students and collaborators during his time at the Bauhaus. Other students who were inspired by Kandinsky's teachings included Josef Albers, who later became a prominent abstract artist and color theorist, and Herbert Bayer, who became a pioneering graphic designer.

Despite the challenges posed by the rise of Nazism in Germany, Kandinsky remained committed to his teaching at the Bauhaus until the school was forced to close in He then emigrated to France, where he continued to develop his abstract style and to explore the spiritual dimensions of art until his death in Today, Kandinsky's legacy as a teacher and theorist continues to inspire artists and designers around the world.

His ideas about the emotional and spiritual power of color and form, and his commitment to the idea of art as a means of inner expression, remain as relevant and influential as ever. Through his teaching at the Bauhaus and his groundbreaking theoretical work, Kandinsky helped to lay the foundation for the development of abstract art in the 20th century and beyond.

Wassily Kandinsky's groundbreaking work and theories had a profound impact on the art world, both during his lifetime and in the decades following his death. While his early abstract paintings were met with controversy and skepticism by some critics and members of the public, Kandinsky's persistent exploration of non-representational art eventually helped to establish abstraction as a legitimate and influential artistic movement.

During his years at the Bauhaus, Kandinsky's ideas about the spiritual nature of art and the expressive power of color and form influenced a generation of young artists and designers. His teachings and writings, particularly "Concerning the Spiritual in Art" and Point and Line to Plane, became foundational texts for the development of abstract art in the 20th century.

Kandinsky's work and theories had a significant impact on subsequent art movements, particularly Abstract Expressionism and Color Field painting.

Quien fue wassily kandinsky biography: The founder of abstract

American artists such as Jackson Pollock, Mark Rothko, and Barnett Newman were deeply influenced by Kandinsky's emphasis on the emotional and spiritual dimensions of art, as well as his use of large-scale canvases and expressive brushwork. In the years following World War II, Kandinsky's reputation as a pioneer of abstraction continued to grow, and his work was celebrated in major exhibitions and retrospectives around the world.

Today, he is widely regarded as one of the most important and influential artists of the 20th century, and his theories on the spiritual nature of art continue to resonate with contemporary artists and scholars. Kandinsky's lasting legacy lies not only in his groundbreaking paintings and theories but also in his unwavering commitment to the idea of art as a means of spiritual expression and transformation.

He believed that art had the power to transcend the material world and to connect us with higher truths and experiences, and his work continues to inspire and challenge viewers to this day. As the art world continues to evolve and change, Kandinsky's ideas about the expressive power of color and form, the importance of inner necessity, and the spiritual dimensions of art remain as relevant and vital as ever.

His legacy as a pioneering abstract artist and theorist has secured his place in the pantheon of modern art, and his influence can be seen in the work of countless artists who have followed in his footsteps. Wassily Kandinsky's groundbreaking abstract paintings are among the most iconic and influential works of modern art. By examining some of his most famous compositions, we can gain a deeper understanding of his unique artistic vision and the symbolism behind his use of color, form, and composition.

This large-scale oil painting is a dynamic, swirling mass of colors and shapes that seem to move and pulsate with a life of their own. In Composition VII, Kandinsky uses a complex arrangement of geometric shapes, lines, and colors to create a sense of movement and energy. The painting is dominated by a central vortex of swirling forms, which seems to draw the viewer's eye into the heart of the composition.

Around this central motif, Kandinsky arranges a series of smaller, more distinct shapes and lines, which create a sense of rhythm and balance. Kandinsky's use of color in "Composition VII" is also highly symbolic. In this painting, he uses a range of bright, primary colors, such as red, blue, and yellow, as well as more muted tones like green and purple.

These colors are arranged in a way that creates a sense of harmony and balance, while also evoking a range of emotions and associations. Another famous Kandinsky work is Improvisation 28, painted in This painting is an explosion of color and form, with jagged lines and irregular shapes that seem to dance across the canvas.