Rejoice greatly diana damrau biography

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Rejoice greatly diana damrau biography: I love her perormance

Survey of Music Literature - Spring Blog. Damrau has furthered her exploration of the bel canto repertoire with highlights including role debut in Elvira in I puritani in Geneva in January[ 28 ] and the title role in Donizetti's Linda di Chamounix at the Liceu. Following the birth of her second child in autumnDamrau returned to the stage with a new production of Verdi's Rigoletto at the Metropolitan Opera in February ; this was followed by her role debut in the title role of Verdi's La traviata in the same house.

As well as performing in operas, Damrau is a regular on the concert stage. Streaming videos are available at Met Opera on Demand of her performances in the following:. Roles which have been fully performed on stage or in studio. Contents move to sidebar hide.

Rejoice greatly diana damrau biography: I'm thrilled to perform the

Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. German soprano. Early life [ edit ]. Career [ edit ]. Early career, debuts, coloratura soprano roles [ edit ]. Transition, more lyric soprano and bel canto roles [ edit ]. Concert career [ edit ]. Personal life [ edit ].

Key performances [ edit ]. Honours and awards [ edit ]. Discography [ edit ]. Videography [ edit ]. Opera roles [ edit ]. Strauss Rosalinde, Die Fledermaus J. And then surely the aim is to bring the story and the music to the public in the best way you can in that moment. Because it's live, it's not a recording. That's why I love going to the opera or to the theater.

To hear what the voice really sounds like, this you can only hear live. Q: Is it always special to sing at the Met? A: Oh, yes, it's a great joy. It's my 11 th season now, and somehow I feel at home. But I'm aware of the great pressure, which is there that you have to perform at your best all the time. And the expectations are the highest ever.

But also, alone the energy of New York brings out something in you. Really, performing in this house, the history, this wonderful orchestra, all the great musicians and artists around us, and the people who support us backstage, it's super organized. It's a wonderful place to work. But you have to be at your best, and you want to. Q: Are you completely a creature of the stage, ready to jump right in?

A: Oh, sure. That's the power of the stage and the power of acting and the power of music. And you go for it. Also, when I'm in the audience, I want to see and hear and feel the real thing.

Rejoice greatly diana damrau biography: The first half of her generously-filled

And that means you have to act. You have to make something special with that character—how she or he walks or behaves—and that's why it's the whole package and If I see somebody not acting or if I see a super typecast person who acts very well but the singing is not percent, you say, what a pity. Also, the other way around.