Tras la verdad cantinflas biography

He often questioned those in power, and always got away with it thanks to how he played around with the Spanish language. Mexico and Latin America loved his character and its humor, as well as his sweetness and social criticism. In Mexico, they loved Cantinflas so much that, in many elections, they voted for him without him even being a candidate.

Documents that came to light after his death seem to indicate that his alliance was probably with some obscure power groups. As his success and wealth increased, his films changed, and so did he.

Tras la verdad cantinflas biography: When his teenage granddaughter falls victim

He stopped representing poor Mexicans, and started transmitting messages in his films that, at face value, seemed to be social, but were really institutional. He also kept an unforgivable silence during the student massacre in Mexico City in We know little about his family life, but what we do know is tinged with darkness and sadness.

His own son, and one of his grandchildren, both committed suicidehis grandson in and his son in Another grandson lived on the streets as a result of his addictions. Mario Moreno died before these terrible events took place. While he was alive, little was known about his family. InPost Films began producing a number of short series of Cantinflas as the main character.

Played by Moreno, whose stage name was also Cantinflas, the character became almost iconic. Some of his main films are:. This award is considered the most prestigious in the Mexican film industry. How to cite this article? Cinema and Television Cantinflas Mario Morenoborn as Mario Fortino Alfonso Moreno Reyes and professionally known by the nickname of Cantinflaswas an important actor, producer and scriptwriter of many films belonging to the Mexican comedy genre.

Who was Cantinflas? Gonzalezwho defeated his Republican challenger, John W. As a young man, Cantinflas performed a variety of acts in travelling tents, and it was here that he acquired the nickname "Cantinflas". According to one obituary, "Cantinflas" is a meaningless name invented to prevent his parents from knowing he was in the entertainment business, which they considered a shameful occupation.

Cantinflas confirmed this in in his last television interview.

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Before starting his professional life in entertainment, he explored a number of possible careers, such as medicine and professional boxing, before joining the entertainment world as a dancer. By he was involved in Mexico City's carpa travelling tent circuit, performing in succession with the Ofelia, Sotelo of Azcapotzalcoand finally the Valentina carpawhere he met his future wife.

At first he tried to imitate Al Jolson 's use of blackface, but later separated himself to form his own identity as an impoverished slum dweller with baggy pants, a rope for a belt, and a distinctive mustache. In the mids, Cantinflas met publicist and producer Santiago Reachi and subsequently partnered with him to form their own film production venture.

Reachi produced, directed, and distributed, while Cantinflas acted. Reachi established Posa Films in with two partners: Cantinflas and Fernandez. The phrase that gave that movie its name became a "Cantinflas" or catchphrase for the remainder of his career. The film was a breakthrough in Latin America and was later recognized by Somos magazine as the 10th greatest film produced largely in Mexico.

By this time, he had sufficiently distinguished the peladito character from the s-era peladoand his character flowed comfortably from the disenfranchised, marginalized, underclassman to the empowered public servant. The rhetoric of cantinflismo facilitated this fluidity. InMoreno teamed up with Reachi, Miguel M. The s and s were Cantinflas' heyday.

The talks did not go well, however, and, in the resulting scandal, Moreno took his act back to the theatre. For the first few months, he persuaded the King and Queen of Spain to fund his voyage so that he could let his wife "drive" so she could make a wrong turn and discover Mexico instead, allowing him to also discover Jorge Negrete so that the Queen — an ardent fan — could meet him.

When Negrete died just before Christmas ofhe changed it first to Pedro Infante until his death four years later, and then finally to Javier Solis until his death in While David Niven was billed as the lead in English-speaking nations, Cantinflas was billed as the lead elsewhere. As a result of the film, Cantinflas became the world's highest-paid actor.

Moreno's second Hollywood feature, Pepeattempted to replicate the success of his first. His humor, deeply rooted in the Spanish language, did not translate well for the American audience and the movie's reception was a failure. He still earned a Golden Globe nomination for his part. Later in a American interview, Moreno cited the language barrier as the biggest impediment to his making it big in the United States.

After returning to Mexico, Cantinflas starred in the comic drama El bolero de Raquelthe first Cantinflas film to be distributed to the United States by Columbia Pictures. The tras la verdad cantinflas biography was followed by more Cantinflas-Reachi-Columbia productions: El analfabetoEl padrecitoand Su excelencia After Su excelenciaCantinflas began to appear in a series of very low-budget comedies directed by Miguel M.

Delgadowhich were produced by his own company "Cantinflas Films". These films lasted until El Barrenderoin Like Charlie ChaplinCantinflas was a social satirist. He played el peladoan impoverished Everyman, with hopes to succeed. With mutual admiration, Cantinflas was influenced by Chaplin's earlier films and ideology. Cantinflas' films, to this day, still generate revenue for Columbia Pictures.

A lifelong smoker, Cantinflas died of lung cancer on 20 April in Mexico City.

Tras la verdad cantinflas biography: Cantinflas credits his persona to

Thousands appeared on a rainy day for his funeral. The ceremony was a national event, lasting three days. He was honored by many heads of state and the United States Senate, which held a moment of silence for him. A year legal battle followed between Mario Moreno Ivanova, Cantinflas' son and heir to his estate, and the actor's blood nephew Eduardo Moreno Laparade over the control of 34 films made by Cantinflas.

The nephew claimed his uncle gave him a written notice, Moreno Ivanova argued that he was the direct heir of Cantinflas and that the rights belonged to him. Columbia claimed that it had bought the rights to the 34 films four decades earlier, although the court noted several discrepancies in the papers. Moreno Ivanova wanted the rights to the films to remain his, and more generally Mexico's, as a national treasure.

On 2 June the eight-year battle was resolved with Columbia retaining ownership over the 34 disputed films. The name lacks real meaning in Spanish. It was an arduous journey to fame for Cantinflas. He explored a number of careers like medicine and professional boxing before becoming a dancer. ByCantinflas was performing with a Carpa in Mexico.

He went from Ofelia to Sotelo of Azcapotzalco. At first, he imitated a more popular actor named Al Jolson, an American comedian who shared a striking resemblance with Cantinflas. Cantinflas soon assumed his identity as a poor slum dweller who wore baggy pants and a distinguishing mustache. The film failed to get much attention until he met the publicist and producer Santiago Reach.

Both men entered into a partnership with another man named Fernandez, and together they established Posa Films in Following a few short films that developed the character known as Cantinflas, the group made a film in that finally shot Cantinflas into the international limelight. The film became a huge hit, ascending to the front page of the Spanish magazine Somos which recognized it as the 10th greatest film ever produced in Mexico.

Santiago Reach made Hollywood happen when he paid Columbia Pictures to produce films for them instead of Mexican companies.