Zhu jinshi biography of william

Shortly after, Zhu migrated to Germany, taking part in the diaspora of Chinese artists to western countries.

Zhu jinshi biography of william: Zhu Jinshi biography, exhibitions and

There, he was immersed in the European avant-garde and began to experiment with conceptual, installation, and performance art, all the while utilizing materials rooted in Chinese tradition such as rice paper and bamboo. While Zhu eventually returned to painting, these explorations into installation and multidimensionality deeply impacted his practice.

Li taught the aspiring artist modernist techniques of landscape and portrait painting. His work was shown in the inaugural exhibition of the Stars, often considered the first show of contemporary art in China.

Zhu jinshi biography of william: Although he usually creates

When he returned to China inhe began to paint again, developing his characteristic technique of heavy impasto. Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. Get the best price for your artwork or collection. We notify you each time your favorite artists feature in an exhibition, auction or the press.

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Zhu jinshi biography of william: Zhu's description of his own

Chinese G u W e n d a Chinese, He took the initiative to dissolve the existing formalist experience and add a focus on social issues. Inhe created the work Exile, a homemade raft with many bottles of Chinese export soy sauce tied to it, depicting the pursuit of his cultural identity. The relative lack of public exhibition space in China in the s prompted a group of artists who had emigrated overseas to open up their private apartments as experimental exhibition spaces.

What has made Zhu Jinshi internationally known is his surprising use of materials such as rice paper and bamboo in his installations. In works such as Impermanence, Boat, and Tao of Xuan Paper, the physical qualities and cultural attributes of paper itself are dissolved; instead, the soft papers are given an architectural volume, lightly stacked to become complex and tough.

In the open space, the art shifts from private to public, and the works extend together with the space to become a special structural landscape. His works are not limited by artistic mediums or times, but rather transcend geography and differences in Eastern and Western identity, taking a macro perspective and sketching a personal history of artistic evolution in the context of contemporary global culture.