Caris corfman biography examples
One was instantly struck by Caris' natural and vibrant beauty. Mesmerizing with a head full of gorgeous blonde ringlets, two prominent cheekbones and a quick, Cheshire-cat smile, she was one of those people who drew an audience whenever she entered a room. People simply wanted to know her. She made her off-Broadway debut in the critically-acclaimed production of "Wings"which was part of Joseph Papp's New York Shakespeare Festival.
She also earned outstanding notices for her role as Emma in the Yale Repertory Theatre's production of "Curse of the Starving Class" in One of her crowning moments was creating the role of Katherina Cavalieri, Salieri's music pupil, in the original Broadway production of "Amadeus" starring Ian McKellen. Within a few months, she had succeeded Jane Seymour in the leading femme role of Mozart's wife, Constanze Weber.
Jackson and Jimmy Smits in "Native Speech. As for TV, it was that medium's loss that she was not utilized more often. It didn't matter for Caris' first love was the theatre. Her showcases while there ranged from a lovely and tender performance as Laura in "The Glass Menagerie" to a strong role in a daring feminist production of "The Taming of the Shrew" in which the actresses took on the male roles and vice versa.
Caris played one of the trans-gendered parts with consummate energy, poise and skill.
Caris corfman biography examples: She was born and raised in
Also appearing in that very cast was another of New York's future preeminent actresses J. One was instantly struck by Caris' natural and vibrant beauty. Mesmerizing with a head full of gorgeous blonde ringlets, two prominent cheekbones and a quick, Cheshire-cat smile, she was one of those people who drew an audience whenever she entered a room.
People simply wanted to know her. She made her off-Broadway debut in the critically-acclaimed production of "Wings"which was part of Joseph Papp's New York Shakespeare Festival. She also earned outstanding notices for her role as Emma in the Yale Repertory Theatre's production of "Curse of the Starving Class" in One of her crowning moments was creating the role of Katherina Cavalieri, Salieri's music pupil, in the original Broadway production of "Amadeus" starring Ian McKellen.
Within a few months, she had succeeded Jane Seymour in the leading femme role of Mozart's wife, Constanze Weber. Jackson and Jimmy Smits in "Native Speech. As for TV, it was that medium's loss that she was not utilized more often. It didn't matter for Caris' first love was the theatre. Infollowing a role in the movie The Pickle starring Danny AielloCaris' professional journey came to an end.
From then on her life would be about recovery, rehabilitation and survival. While she would not be able to remember someone she had met minutes earlier, she would remember ME from our FSU days. And I have always remembered her -- her incredible beauty, both inside and out, her charisma, her amazing talent as a performer and her obvious love and dedication to her craft.
Caris' one-woman show would become living proof of the extent of that love and dedication, and, more importantly, her belief that her life was not over but in a major transition. On January 13,Caris' life's journey ended, passing away peacefully in her sleep of a stroke at age Most frustrating of all, Caris could not memorize the stories of her own life that she had written; nor could she reliably remember the order in which she would perform them.
So she wrote this material on stacks of index cards and stapled together the cards for each scene to maintain their proper order.
Caris corfman biography examples: The documentary film conveys the
The stapled books of cards were color coded to help Caris distinguish between them and prevent confusion. These and other tricks, such as lighting and music changes, provided enough cues that Caris could navigate the show. After the opening meet-and-greet segment Caris calls "the name game," she progresses through a series of reminiscences of her past and present life, telling her stories: childhood memories of her family's home in New York's Hudson Valley; her relationship with her mother; her training at Yale; and of course the story of her memory loss and its consequences for her life and career.
Alternating with her reminiscences, Caris performs selections from plays she had mastered before her memory loss. At these moments, her memory remains acute. Piece by piece, Caris knits together the story of herself, from her first glimmer of interest in acting, through her education and professional accomplishments, to her memory loss. From time to time, scenes segue into music and Caris begins to sway and twirl-her creative spirit unleashed.
An innate sense of stagecraft propels Caris through the performance. The audience sees only Caris, the actress, not the index cards. As soon as she hits the floorboards the actress will come out,'" Ross recalls. She didn't miss one moment. Although Caris' Peace is a milestone in the recovery of an actress with memory loss, Caris still struggles to create a place for herself in the world.
Her disability imposes some harsh limitations, like the need for an attendant, denial of traditional acting roles, and difficulty with reading and other tasks that people with intact memories take for granted. Although Caris would undoubtedly prefer to have intact short-term memory, its loss is not without minor compensations. It has made her a better actor in one sense: She is always in the moment during her show, present and focused on the performance-a state of mind all actors struggle to achieve.
Caris corfman biography examples: Internet Broadway.
And, her friend Rebecca notes, Caris lacks much of the self-consciousness other people bring to conversation. It's refreshing, you know, there's no guile. Other people are more calculating. She's spontaneous; there's less internal editing. Today, Caris Corfman's days still follow a programmed schedule: throwing pottery at the Jewish Community Center, yoga classes, swimming, watching movies, and occasional travel.
She has reclaimed parts of her life-but not all of it. She lives moment-to-moment, day-by-day. Some things she must simply endure, like the forgetting and the occasional confusion. But there is still much to enjoy, like the things that break the routine of her day-lunch with her father, an interview with a reporter, or just a drive in the countryside.
Asked what she would most like people to remember about her and her story-particularly people living with memory loss-she pauses, searching for the right words. With enjoying and living, with exuberance.
Caris corfman biography examples: Surrounded by friends and
When one is dancing, it's out of this world. Ginny Ruffner: a not so still life. Creating Art After a Brain Injury. Recovery Motivated by Fear